YORKSHIRE, USA
The Long Hard Road to Breaking Into America – by Colin Campbell
First let’s get one thing straight. When I
was a Yorkshire cop I was glad we didn’t have as many folk on my beat as you
have in America. Fewer to arrest. Not as many throwing bricks, petrol bombs,
and insults at me. (I never got shot at although one or two did try to knife
me.) Now that I’m a crime novelist it seems like a good idea to get published
where the most readers are. That would be your neck of the woods. Across the pond.
America.
Working that out was easy. Putting it into
practice was a lot harder. It started out okay, attending Bouchercon and Left
Coast Crime to promote my English crime novels. Tales from the thin blue line.
Uniform cops dealing with everyday crime and how that impacts on their lives.
Got some good reviews. A few enthusiastic readers. And a big full stop from the
American publishers. Too English was the cry. Not big enough, the criticism.
It was time for Plan B. Hatched with my
American accomplice, New York literary agent Donna Bagdasarian. How about
writing a novel set in America? Great idea, except I’m a Yorkshireman. If I
tried writing an American character I’d be unmasked in no time. Road to
Damascus moment. So simple it was obvious. Instead of trying to emulate Lee
Child, who very successfully did what I knew I could not, I wrote about a
Yorkshire cop sent to America to interview a prisoner. Things go wrong. The
story gets big. And any errors in tone would be down to the character being
from England. Simple.
Not so simple. I wrote Jamaica Plain
in six months and both Donna and I were hugely excited. Jim Grant was going to
be the next big thing. I let Donna do her thing and began to write Montecito
Heights, the second in what should become a series. Six months later. Two books written. Big full
stop from American publishers. Lots of positive feedback. In fact the rejection
letters included the most praise I’d ever had. Nose to the grindstone. Write
number three, Snake Pass. It should only be a matter of time. I now had
an agent, an entertainment attorney in New York and one in Los Angeles. Jamaica
Plain was represented in Hollywood by CAA. (I had to ask Donna what that
was. In case I was joining the 10-step programme.) Still no book deal.
Then it happened. A three-book deal with an
enthusiastic US publisher. First option on a fourth. Show me the money. They
didn’t. Things slowed down. It was like the old crime scene adage, hurry up and
wait. The deal went sour. The deal just went. Back to square one. Keep writing
to avoid the depression. A couple of separate books including a young adult
mystery and the final part in a gargoyle trilogy. Plotting and outline for book
four in the Jim Grant series.
I was like a swan on the river. Calm on the
surface, paddling like mad underwater. My agent must have been doing the same
because she paddled us right into a better deal with Midnight Ink. Three books.
First look at the fourth. The news broke on Publishers Marketplace and the next
thing I knew, a very large TV/Film company was ringing my agent for a look at
the books, including my young adult mystery. To say I was ecstatic would be an
understatement. I am absolutely over the ***king moon. Long hard road? Yes.
Petrol bombs? No. I call that a good result. Thanks Donna.
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